I had no sooner spoken than she laid her hand quickly, with a certain force, on my arm. "Hush!—isn't there some one there?" She was looking into the gloom of the far end of the balcony. This balcony ran the whole width of the house, a width very great in the best of the old houses at Brighton. We were lighted a little by the open window behind us, but the other windows, curtained within, left the darkness undiminished, so that I made out but dimly the figure of a gentleman standing there and looking at us. He was in evening dress, like a guest—I saw the vague shine of his white shirt and the pale oval of his face—and he might perfectly have been a guest who had stepped out in advance of us to take the air. Miss Marden took him for one at first—then evidently, even in a few seconds, she saw that the intensity of his gaze was unconventional. What else she saw I couldn't determine; I was too taken up with my own impression to do more than feel the quick contact of her uneasiness. My own impression was in fact the strongest of sensations, a sensation of horror; for what could the thing mean but that the girl at last saw? I heard her give a sudden, gasping "Ah!" and move quickly into the house. It was only afterwards that I knew that I myself had had a totally new emotion—my horror passing into anger, and my anger into a stride along the balcony with a gesture of reprobation. The case was simplified to the vision of a frightened girl whom I loved. I advanced to vindicate her security, but I found nothing there to meet me. It was either all a mistake or Sir Edmund Orme had vanished.
I followed Miss Marden immediately, but there were symptoms of confusion in the drawing-room when I passed in. A lady had fainted, the music had stopped; there was a shuffling of chairs and a pressing forward.