smooth broughams that rolled away. When he turned round Mrs. St. George had disappeared; her husband's voice came up to him from below—he was laughing and talking, in the portico, with some lady who awaited her carriage. Paul had solitary possession, for some minutes, of the warm, deserted rooms, where the covered, tinted lamplight was soft, the seats had been pushed about and the odour of flowers lingered. They were large, they were pretty, they contained objects of value; everything in the picture told of a "good house." At the end of five minutes a servant came in with a request from Mr. St. George that he would join him downstairs; upon which, descending, he followed his conductor through a long passage to an apartment thrown out, in the rear of the habitation, for the special requirements, as he guessed, of a busy man of letters.
St. George was in his shirt-sleeves in the middle of a large, high room—a room without windows, but with a wide skylight at the top, like a place of exhibition. It was furnished as a library, and the serried bookshelves rose to the ceiling, a surface of incomparable tone, produced by dimly-gilt "backs," which was interrupted here and there by the suspension of old prints and drawings. At the end furthest from the door of admission was a tall desk, of great extent, at which the person using it could only write standing, like a clerk in a counting-house; and stretching from the door to this structure was a large plain band of crimson cloth, as straight as a garden-path and almost as long, where, in his mind's eye, Paul Overt immediately saw his host pace to and fro during his hours of composition. The servant gave him a coat, an old jacket with an air of experience, from a cupboard in the wall, retiring afterwards with the garment he had taken off. Paul Overt welcomed the coat; it was a coat for
