attitude of pride and dignity; around him were many kinds of fishes and other creatures of the ocean. The water was represented with its waves, and enamelled in the appropriate colour. I had portrayed earth under the form of a very handsome woman, holding her horn of plenty, entirely nude like the male figure; in her left hand I placed a little temple of Ionic architecture, most delicately wrought, which was meant to contain the pepper. Beneath her were the handsomest living creatures which the earth produces; and the rocks were partly enamelled, partly left in gold. The whole piece reposed upon a base of ebony, properly proportioned, but with a projecting cornice, upon which I introduced four golden figures in rather more than half-relief. They represented Night, Day, Twilight, and Dawn. I put, moreover, into the same frieze four other figures, similar in size, and intended for the four chief winds; these were executed, and in part enamelled, with the most exquisite refinement.[1]
When I exhibited this piece to his Majesty, he uttered a loud outcry of astonishment, and could not satiate his eyes with gazing at it. Then he bade me take it back to my house, saying he would tell me at the proper time what I should have to do with it. So I carried it home, and sent at once to invite several of my best friends; we dined gaily together, placing the salt-cellar, in the middle of the table, and thus we were the first to use it. After this, I went on working at my Jupiter in silver, and also at the great vase I
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- ↑ This salt-cellar is now at Vienna. It is beautifully represented by two photogravures in Plon's great book on Cellini.
