Sputasenni instituted a suit against Cellini, in order to compel him to maintain the young man, whom we must now again call Antonio, and to secure a portion of the adoptive father's estate in settlement. The action went against the defendant, who was sentenced on the 2nd of June 1570 to provide for Antonio's support[1] Against this verdict Cellini appealed to the Grand Duke. It appears from the rescript to his petition that his estate was eventually freed from all claims on the part of Antonio Sputasenni; but Cellini was obliged to pay a yearly allowance during his own lifetime to the young man.[2]
During the whole of this transaction nothing emerges to Cellini's discredit; nor is there any hint that Antonio Sputasenni was regarded as his illegitimate child. On the contrary, the lad is described as "figliuolo suo adottivo e legittimo e naturale di Domenico d'Antonio Sputasenni di Firenze" in the adverse sentence of June 2, 1570. We have, therefore, the right to assume that all Cellini's dealings with the Sputasenni family were prompted by simple kind-heartedness. This, like his natural affection for his sister and nieces, which determined him to quit the service of King Francis, is an amiable trait in his mixed character.[3]
In the month of March 1561 (new style) Cellini received from the Grand Duke a donation of his house in the Via del Rosaio.[4] The terms in which Cosimo de' Medici mentions his merit as "an artist in bronze-casting and a sculptor resplendent with incomparable glory," prove that he was at this time high in favour with his patron. The gift is con-
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- ↑ Bianchi, p. 541.
- ↑ See Cellini's petition, Bianchi, p. 542; Tassi, vol. iii. p.188; for the decree of July 11, 1570, compelling him to maintain Antonio during his own lifetime.
- ↑ It ought to be mentioned that the woman Cellini married before 1565, Piera di Salvadore Parigi, bore the same family name as these Sputasenni.
- ↑ See Carpani, vol. ii. p. 462; Tassi, vol. iii. p.108. This document is omitted by Molini and Bianchi. But I see no reason to doubt its genuineness.
