of the colour as "sweet, bright, and pure as a cloud in the sunrise," and "so brilliant as to make the walls look like the margin of an illuminated manuscript."
For Morris, the autumn and winter months of 1857–8 were, in spite of the discouragements caused by his slow progress in the technique of painting, full of hope and enthusiasm. Among his old Oxford friends, Price' and Faulkner especially, he regained something of the old light-heartedness which life in London and the imperious domination of Rossetti had begun to impair. A few extracts from Price's diary during the autumn term give a picture of the resumed, but altered, life in Oxford. Term had begun on the 16th of October.
"Oct. 17. Breakfasted with Top at Johnson's in George Street. Rossetti, Hughes, Prinsep, Ted, and Coventry Patmore there. To the Union to see the frescoes.
"Oct. 18. To Rossetti's—R. painting the Marriage of St. George. Prinsep there; six feet one, 15 stone, not fat, well-built, hair like finest wire, short, curly and seamless—age only 19. Stood for Top for two hours in a dalmatic.
"Oct. 24. Spent afternoon in daubing in black lines on the Union roof for Topsy. Whist in the evening as usual (at Rossetti's).
"Oct. 30. Evening at George Street. Rossetti, Ted, Topsy, Hughes, Swan, Faulkner, Bowen of Balliol, Bennet of Univ., Munro, Hill, Prinsep and Stanhope there. Topsy read his grind on Lancelot and Guenevere—very grand.
"Oct. 31. Stippled and blacklined at Union. Evening at George Street: Rossetti and I versus Top and Faulkner at whist. Madox Brown turned
