the back, and further accommodation was found when needed in Ormond Yard close by.
With Morris now continuously on the spot, the company became little more than a name as far as regarded the direction and management of the business. Rossetti had never taken much concern in the work. After his wife's death he had been for a long time almost a recluse: now he was living in Chelsea, at the other end of London, and was wholly absorbed in his painting. Faulkner, who had no productive gift, and whose great mathematical ability was somewhat thrown away on keeping the books of the firm, had returned to work in Oxford the year before; but in his vacations he stayed much with his mother and sisters, who had a house in Queen Square a few doors off, and at these times his intercourse with Morris was constant and his share in the conduct of the business not inconsiderable. Marshall had resumed his own line of work. Burne-Jones and Madox Brown continued to supply designs for stained glass, and Webb for furniture. But the whole of the production, and, except in glass and furniture, practically the whole of the design was now in Morris's sole hands. All the kinds of work begun at Red Lion Square went on here: and gradually there began to be added other industries which afterwards became the staple production of the firm—weaving, dyeing, and printing on cloth. No long time after Red House was given up, it became possible to have supplied it from the works at Queen Square with almost everything necessary to complete its decoration and furnishing. Such is the irony of human affairs.
But the management of the rapidly extending business had been just at this time put into capable and energetic hands. To Mr. George Warrington Taylor,
