fast with my work that I shall be able to idle." The book went through the press without delay, and was published at the end of April. The only decoration was the well-known woodcut on the title-page of the three women playing on instruments. It was cut by Morris himself from Burne-Jones's drawing; it does not, however, represent the best of what he could do in wood-cutting.
"The Earthly Paradise" was published by Mr. F.S. Ellis, whose recent acquaintance with Morris had already become a warm friendship. Their relations as author and publisher were ended in 1885 by Mr. Ellis's retirement from business, but they remained attached friends through the rest of Morris's life; Mr. Ellis was much with him in his last illness and was one of his executors. The acquaintance had begun about the year 1864. Mr. Ellis was then in business in King Street, Covent Garden, principally as a dealer in manuscripts and rare printed books. Morris was first brought there by Swinburne, and afterwards often looked in on his way from Red Lion Square to London Bridge Station when he was going down to Upton in the evening. When he came to live in London his visits grew more frequent and less hurried. His knowledge of and admiration for fifteenth-century printing, generally thought of as a new development of his later years, was then already fully grown.
"The first dealing of any importance," Mr. Ellis writes, "that we had, was over a very fine copy of the 1473 Ulm edition of Boccaccio's 'De Claris Mulieribus' with the famous woodcuts. I had bought it at a sale in Paris for £23—considered in those days to be quite an extravagant price." (The volume would now fetch at least three times as much.) "It was a very fine clean crisp copy bound in sixteenth-century vellum
