Not only would he never deviate from the truth, but in thinking carefully over the matter I do not remember him ever to have made plausible excuses for doing or not doing a thing—he would always say straightforwardly exactly what he meant." The relation of author and publisher, so often one of jealousy and discontent, was in this case without a shadow. Mr. Ellis is even willing to generalize from his own experience: "any publisher," he adds, "unless he be dishonest, can get on with an author, whose books sell, with perfect ease. Difficulties and heartburnings usually arise with authors whose books will not sell." Publishers, as a body, have a bad name with the general vague opinion of the public. That this is so, seems mainly due to a fault for which they are indeed responsible, but responsible only in the second degree—their readiness, for the sake of small but secure gains, to abet incompetent authors in forcing essentially unsaleable books upon the market.
At the end of the first volume of "The Earthly Paradise" was an announcement of the contents of the second, or concluding, volume. The twelve new tales there promised were as follows: six from Greek sources; The Story of Theseus, Orpheus and Eurydice, The Story of Rhodope, The Dolphins and the Lovers, The Fortunes of Gyges, and The Story of Bellerophon: other six from mediæval sources, Eastern or Western; The Hill of Venus, The Man who never Laughed again, The Palace East of the Sun, Dorothea, The Ring given to Venus, and Amis and Amillion. But after the publication of the first volume the scheme underwent large changes, partly from his replacing a number of the stories already written or planned by others, and partly from the introduction into his life, where it soon took a place second to no other interest, of the heroic
