cept the translations, as they are rather pressing now, and I want to get all my Volsung work done this week: then I shall set to work about Gabriel's review, which I must say rather terrifies me. Ned came to see me on Sunday; I read him my stanzas for the Volsunga and he thought them good. I did hope to be able to give you the news of my hair being cut this morning, but I had to stay in fair-copying for Strangeways."
The article on Rossetti's "Poems," here alluded to appeared in the Academy, a journal then just founded, on the 14th of May.[1] Rossetti's strange fancy of a literary conspiracy against him, and his elaborate attempts to inspire favourable notices of the volume, are matter of common knowledge. Morris, with other friends, had been dragged into the business; and his article bears all the traces of a task, for once, executed against his will. It is stiff and laboured, and as nearly colourless as anything of his writing well could be.
His translation and illumination were not enough to fill his thoughts; and he wavered for a while between an instinct to break new ground in poetry and a reaction from the immense production of the last three years. The Arthurian legend once more attracted him, not now filling his mind, but making in it something of a counterpoise to the Northern Sagas. But on its mystical and religious side the cycle of the Sangreal was a subject from which, like Tennyson, though for different reasons, he instinctively shrank: and the long narrative poem on the story of Tristram, and the other on that of Balin and Balan, which were much in his mind this summer, never came to birth. In this year, too, the suggestion was made to him that he should translate the Odyssey; but neither had the time come for that.
Before the end of 1870, the last sheets of "The
- ↑ See 'Review of Dante Gabriel Rossetti's Poems' by Morris (1870) in Marxist Internet Archive (Wikisource-Ed.)
