The book is on paper, and consists of fifty-one pages. It was not wholly executed by his own hand. One of the pictures was painted by Burne-Jones, and the remainder, including a portrait-head of the author on the first page, by Mr. Fairfax Murray; and the painted letters were coloured by Mr. George Wardle, who also drew in part of the ornament from Morris's designs. To produce a painted book in the full beauty of which it is capable, Morris considered that division of labour was advantageous: it was not likely that the scribe and the miniaturist would be found at their best in the same person, and here too, as in larger work, he found the excellence as well as the pleasure of art to lie in co-ordination of skilled workmen. Other books, however, were executed by him unaided. The next done after the "Book of Verses" was a manuscript, also on paper, of his translation of the Eyrbyggja Saga; a folio of 239 pages, slightly ornamented and without pictures. This manuscript, with the single exception, carefully noted by him upon it, of the laying on of the gold leaf on three pages, which was done by one of the workmen at Queen Square, was wholly written and ornamented by his own hand. It was finished in April, 1871; and before it was finished, he had begun a new book on vellum with continuous and elaborate ornament. This was a copy of FitzGerald's "Rubáiyát of Omar Khayyám."
This manuscript, given by him to Mrs. Burne-Jones, may take rank, by its elaborate beauty, as one of his chief masterpieces. It was finished on the 16th of October, 1872, after being a year and a half in hand. On its tiny scale—twenty-three pages measuring six inches by three and a half—it is a volume of immense labour and exquisite workmanship. On eighteen of the pages the illumination is confined to a central
