mediævalism brought into fashion by Scott. The religion of the family was of the normal type of a somewhat sterile Evangelicalism, which cursorily dismissed everything outside itself as Popery on the one hand or Dissent on the other. The children were not allowed to mix with dissenters with the single exception of Quakers. But the old Essex churches within reach of Woodford, and their monuments and brasses, were known by Morris at a very early age; and a visit which he made with his father to Canterbury when only eight years old left on his mind an ineffaceable impression of the glory of Gothic architecture. On the same holiday they saw the church of Minster in Thanet. It is characteristic of his extraordinary eye and even more extraordinary memory, that just fifty years later, never having seen the church in the interval, he described it in some detail from that recollection. No landscape, no building, that he had once seen did he ever forget, or ever confuse with another.
Nor were the splendid Essex country houses which survived from the fifteenth and sixteenth centuries less known or loved by him than the Essex churches. "Well I remember as a boy," he wrote in his lecture on The Lesser Arts of Life, in 1882, "my first acquaintance with a room hung with faded greenery at Queen Elizabeth's Lodge by Chingford Hatch in Epping Forest (I wonder what has become of it now?), and the impression of romance that it made upon me! a feeling that always comes back on me when I read, as I often do, Sir Walter Scott's 'Antiquary,' and come to the description of the Green Room at Monkbarns, amongst which the novelist has with such exquisite cunning of art imbedded the fresh and glittering verses of the summer poet Chaucer: yes, that was more than upholstery, believe me."
