one at least a century before Pinturicchio. The exterior of the Duomo of Florence he did indeed afterwards, a little grudgingly, admit to be the finest exterior of any building in the world.
Of the second journey to Iceland, which took place this summer, there is no need to give any detailed chronicle. Faulkner was again his companion. On board the mail steamer they found among their fellow-passengers that fine scholar and archaeologist, John Henry Middleton. The acquaintance then formed was the beginning of a long friendship. As regards mediæval art of all kinds, Middleton, with a more contracted imagination, had a knowledge equal to Morris's own: in Greek and Persian art it was even greater, and when Morris later took up the manufacture of carpets and woven stuffs as part of his business, he found much help in Middleton's great knowledge of Oriental textiles. The article on Mural Decoration jointly written by them for the "Encyclopædia Britannica," ten years afterwards, is one surviving record of a long association in taste and sympathies.
The party started early in July and were away for a little over two months, sailing and returning, as in 1871, by the "Diana." Their journey through the interior was, however, longer and more adventurous than on their first visit. After a preliminary excursion of ten days to the more or less familiar ground in the southwest of the island, they started on the 1st of August to cross the great central wilderness in a north-easterly direction. From Dettifoss, the furthest point reached, they made their way across the northern mountains to the little seaport of Akureyri on Eyjafirth, and thence back over the wilderness by a more westerly route, reaching Reykjavik at the beginning of September. It was a journey which involved great physical
