they were "vagueness, hypocrisy, and cowardice." And of these three, vagueness was to Morris as immoral, and therefore as inartistic, as either of the other vices.
"Be careful to eschew all vagueness. It is better to be caught out in going wrong when you have had a definite purpose, than to shuffle and slur so that people can't blame you because they don't know what you are at. Hold fast to distinct form in art. Don't think too much of style, but set yourself to get out of you what you think beautiful, and express it, as cautiously as you please, but, I repeat, quite distinctly and without vagueness. Always think your design out in your head before you begin to get it on the paper. Don't begin by slobbering and messing about in the hope that something may come out of it. You must see it before you can draw it, whether the design be of your own invention or nature's. Remember always, form before colour, and outline, silhouette, before modelling, not because these latter are of less importance, but because they can't be right if the first are wrong."
The progress of his mind towards active Socialism during these two years is recorded in the private letters where he set down his thoughts or his beliefs from one day to another with complete transparency. Through many fluctuations of mood one may trace a gradual advance. Some people, even among those who knew him well, thought of his Socialism as a sudden and unaccountable aberration; or at all events fancied it a movement into which he flung himself in a sudden fit of enthusiasm, without having thought the matter out, and acting on a rash impulse. How much this is the reverse of the truth becomes plain when one traces the long struggle, the deep brooding, through which he
