Morris's house at Hammersmith, or indeed from almost any part of London. The District Railway was not then extended either to Wimbledon or to Turnham Green. To reach Merton from Kelmscott House Morris had to go by the underground railway from Hammersmith to Farringdon Street, cross the City, and then go down to Merton from Ludgate Hill, a journey that took about two hours. He could, however, stay the night at Merton when there was much to be done. A couple of rooms were fitted up for his private use as at Queen Square: "Papa will have a delightful sort of Quilp establishment there," his daughter wrote when the move was being made.
On the 8th of April he notes that he had "pretty much come to the conclusion" with the owners. But there were the usual delays and hagglings: it was desired to have power to build kilns for tiles and glass, so that covenants with regard to chimneys had to be drawn up: and the lease was only signed on the 7th of June. The next day he went down with Webb, De Morgan, and George Wardle, and the alterations began to be arranged. Morris would not pull down any of the picturesque and prettily-weathered workshops; but roofs had to be heightened to give free space for looms, and foundations trenched and puddled to keep out damp (for at Merton water lies four feet below the surface of the ground), besides the heavy work of furnishing, the building of carpet-looms, the digging and lining of pits for indigo vats, and the general adaptation of both buildings and grounds to their new uses. One of the first things he did when the season allowed was to plant poplars round the meadow on which the grounds of the calico prints were to be cleared by exposure to the air. Meanwhile he was designing for chintzes with extraordinary rapidity and success; a
