place. It was not his own invention, but was copied, with trifling improvements, from an old chair of village manufacture picked up in Sussex by Mr. Warrington Taylor. With or without modification it has been taken up by all the modern furniture manufacturers, and is in almost universal use. But the Morris pattern of the later type (there were two) still excels all others in simplicity and elegance of proportion.
The beginnings of the important industry of carpet-weaving have already been recounted. Looms had already been built at Hammersmith for weaving carpets of considerable size, as much as twelve feet across. The great loom at the Merton works is built for making a carpet of no less than twenty-five feet in breadth. The designing of these carpets was wholly, or almost wholly, done by Morris himself. His practice was first to make a drawing on the scale of about one-eighth of the full size, which he coloured very carefully with his own hand. A draughtsman enlarged this coloured drawing on the "point paper"—paper, that is, divided into minute spaces, each representing a single knot of the carpet. The pointing on this paper, a work of immense laboriousness, was done by Morris himself until he gradually trained other workmen to do it with the accurate judgment which makes all the difference between the right and wrong expression of the design. The same laborious work was undertaken by him in the designing of silk damasks, woven tapestries, and all the patterned woven stuffs produced on his looms.
Beyond the preliminary tasks of designing and pointing, the actual work at the loom performed by Morris remained for some years very great: and it became still greater when he set aside the carpet-loom for the tapestry-loom, upon which he revived the
