them. As to the papers (sunflower and acorn), I will do what I can to soften the colour.
"May I ask what you are going to do about the drawing-room at Palace Green? Ned tells me that you are going to keep the Dies Domini there, and want to hang the room accordingly: we don't like to do anything there till the ceiling is made safe: what do you think of hanging a piece of stuff behind it? I could get the colour better suited to it so, I believe.
"Ned has been doing a great deal to the dining-room pictures and very much improving them: so that the room will be light and pleasant after all, and the pictures very beautiful.
"As to the red dove and rose, for a curtain, it will last as long as need be, since the cloth is really very strong: I can't answer so decidedly as to the colour; but the colours in it when looked at by themselves you will find rather full than not, 'tis the mixture that makes them look delicate: therefore I believe the stuff to be quite safe to use if you fancy it: of course I don't mean to say that any flat-woven stuff can stand sunlight as well as a piled material, and the velvet also is darker, though not so well dyed as the other stuff.
"As to the other version of the dove and rose, if 'tis a smaller sized pattern in green and yellow, you can use it without hesitation; but if it be of the same size as the red, I should scarcely advise it, if the settees are to have heavy wear: you see we made this stuff for curtains and hangings: I have tried a piece of the purple, turquoise, and yellow as a cushion on a chair of my own on which everybody sits: it has worn better than I expected, but still not like stuff made for it would do. As to the red silk for curtains, what I am doing (for St. James's) is a very fine colour; but
