were meant fell on the public in vain. People dressed themselves in his wall-hangings, covered books with them, did this or that with them according to their fancy; but hang walls with them they would not.
Between seventy and eighty designs in wall-papers, and nearly forty in chintzes, were invented by Morris and carried out under his eye in the course of his business life. These numbers do not take account of the variant designs where a different scheme of colours is applied to the same pattern. If these be counted separately, the total number of designs from his own hands amounts to four hundred. In all of them the drawing and the choice of colours were alike his own individual work. The cutting of the blocks was done by workmen; but the cutter's tracing was always submitted to Morris for retouching before it was rubbed off on the wood; and he kept till late years a vigilant eye both on his own dye-vats and on the colour-pots of the paper-makers. It may give some idea of the prodigious mass of his work as a designer to add that the sum total of his designs for paper-hangings, chintzes, woven stuffs, silk damasks, stamped velvets, carpets, and tapestries (excluding the hand-made carpets and the Arras tapestries, which were each specially designed, and as a rule not duplicated) which were actually carried out, amounts to little short of six hundred, besides countless designs for embroidery.
"Of the work at Merton," Mr. Wardle says, looking back on it perhaps through something of that enchantment that is lent by distance, "there seems nothing to say except that it was altogether delightful." It went on in the ordered tranquillity of spacious and even beautiful surroundings. There were pure water, light, and air in abundance; and the change
