But economy of truth was never a thing possible for Morris, and any advance in his own views was reflected immediately in his public as much as in his private utterances. On the 6th of March he gave an address on "Art, Wealth, and Riches" at the Manchester Royal Institution, in which the Socialist doctrine was so pronounced as to meet with much hostile criticism. On the theory of art people were willing to hear him gladly, much as they would hear a preacher from the pulpit on the theory of religion. They would even to some degree consent to translate his doctrine into practice in the decoration of their houses. But when he attacked the structure and basis of the life they led in these houses, there were murmurs of alarm and resentment. "Does not that raise another question than one of mere art?" they asked in perplexity or indignation. To a letter in the Manchester Examiner which put the question in these specific words Morris took the opportunity to reply thus:
"It was the purpose of my lecture to raise another question than one of mere art. I specially wished to point out that the question of popular art was a social question, involving the happiness or misery of the greater part of the community. The absence of popular art from modern times is more disquieting and grievous to bear for this reason than for any other, that it betokens that fatal division of men into the cultivated and the degraded classes which competitive commerce has bred and fosters; popular art has no chance of a healthy life, or, indeed, of a life at all, till we are on the way to fill up this terrible gulf between riches and poverty. Doubtless many things will go to filling it up, and if art must be one of those things, let it go. What business have we with art at all unless all can share it? I am not afraid but that art will rise from the dead,
