tapestry of the Goose-Girl, from a design by Mr. Walter Crane, was the first figure-subject executed at Merton on the high-warp loom. It was succeeded by the Flora and Pomona pieces, in which the figures were designed by Burne-Jones.
"At Merton there are some daffodils out already. The almond tree is blossoming there beautifully: some of these fine days the place has looked pretty, the water sparkling among the twigs. We are getting tidy now, but haven't quite cleared up about the big filtering bed, which still wants something doing to it, as the tail was red with madder the other day. We are not getting on quite as fast as we should with the printing; it is very tough work getting everything in due order, the cloths seem to want so much doing to them before they can be printed, and then so much doing to them after they are printed. We have had a grand cleaning of the blue Persian carpet at Merton. My word, wasn't it dirty: caked with dirt: it looks very much better, the pattern being quite plain to see except just at the end for about a foot. I was frightened though at first: for after we first put it into the river it cockled up like a sheet of crumpled paper, the cotton warp shrinking with the wet. I thought my £80 had gone down the Wandle: but all came right when it was dry. In about a fortnight we shall have finished the Goose-Girl tapestry: Uncle Ned has done me two lovely figures for tapestry, but I have got to design a background for them; I shall probably bring that down next time I come for my holiday task. Tell dear May that I have devoted about twenty minutes to the lace—it is a drawback to have to be always washing one's hands for a fidgety person like me. Neither have I done much to the Shah Nameh: you see the lecture has swallowed up my literary time."
