prefixed to which was a woodcut copy of Dürer's engraving of the Knight and Death. Poorly executed as it was, this fired their imagination, and hours were spent in poring over it.
The romances of Fouqué, which supplied Morris with the germ of his own early tales, became known to him through another book which exercised an extraordinary fascination over the whole of the group, and in which much of the spiritual history of those years may be found prefigured, "The Heir of Redclyffe." In this book, more than in any other, may be traced the religious ideals and social enthusiasms which were stirring in the years between the decline of Tractarianism and the Crimean War. The young hero of the novel, with his overstrained conscientiousness, his chivalrous courtesy, his intense earnestness, his eagerness for all such social reforms as might be effected from above downwards, his high-strung notions of love, friendship, and honour, his premature gravity, his almost deliquescent piety, was adopted by them as a pattern for actual life: and more strongly perhaps by Morris than by the rest, from his own greater wealth and more aristocratic temper. Yet Canon Dixon, in mentioning this book as the first which seemed to him greatly to influence Morris, pronounces it, after nearly half a century's reflection and experience, as "unquestionably one of the finest books in the world."
The following reminiscences, contributed by Canon Dixon, of the early years of the "set" as they then called themselves, before this name was replaced by that of the "brotherhood," draw a vivid picture of the life lived among them.
"I matriculated at Pembroke College, Oxford, in June, 1851, and began residence in the October term following, leaving behind me in the Birmingham
