"Reynard the Foxe," then just finished, was in fact the last of his large books that he issued through a publisher, though with the smaller books the old practice was for some time continued. But the reprint of Caxton's "Godefrey of Boloyne," issued in the following May, bore on it for the first time the words "Published by William Morris at the Kelmscott Press": the "Utopia" of the following September was the last Kelmscott book issued through Messrs. Reeves & Turner; and thenceforth, except in a few cases of special arrangement (as when Tennyson's "Maud" was published by Messrs. Macmillan, and the two volumes of Rossetti's poems by Messrs. Ellis & Elvey), Morris published all Kelmscott Press books himself. Once more, as in so many previous ventures, he trusted to the existence of a market for excellence and was not disappointed. The Kelmscott Press was not carried on to make money: at first he would have been content if it had not cost him more than he could afford to spend, and even afterwards it was worked, and the prices fixed for its products, only with the view of making its receipts meet its expenditure. No expense was spared in getting everything connected with it as near his ideal as could be produced; yet in fact it brought in a profit which represented a fairly adequate salary for his own incessant work and oversight, and relieved him from the necessity of economizing on any expense which would really add to the excellence and beauty of his printed books.
In the immense detail of carrying on the work of the Press, which was beyond a single person's management unless he could give up the whole of his time to it, Morris was already being assisted by Mr. S.C. Cockerell, who was formally engaged as secretary to
