Among the larger unexecuted projects which had at one time or another been formed for the Kelmscott Press, the Shakespeare in three folio volumes, which had, been announced in 1893, had been definitely abandoned, and the reprint of the English Bible of 1611, though not formally given up, had receded into a problematical future. The "Sigurd" and the Froissart would have been the work of at least two years; and after them the next work planned was to have been a volume of even greater magnificence than the Chaucer, a folio edition of Malory's "Morte d'Arthur," for which Sir Edward Burne-Jones was to design at least a hundred pictures. With the added experience and increased technical skill now available, it should have eclipsed even the Chaucer in splendour of design and beauty of execution. Of other items in the mass of work which lay before the Press, an account is given in the last book issued from it before it was finally wound up in March, 1898. In that little volume Mr. Cockerel! has added to Morris's own account of his aims in founding and conducting the Press, a description of its inception and progress, and an annotated list of the books printed at it, with a fullness, lucidity, and accuracy which leave nothing to be desired.
Morris himself was now known by his friends to be a dying man. On his return from Norway congestion of the left lung had set in, which remained persistent, and the general organic degeneration made steady progress. His old fear of death had long left him, but his desire to live remained almost as strong as ever till he became too weak to desire anything. As the power of self-control slackened, the emotional tenderness which had always been so large an element in his nature became more habitually visible. On one of her latest visits, Lady Burne-Jones tells me, he broke
