Dixon and Price, they belonged to the Plain-Song Society, which practised regularly in the Music-Room in Holywell. It included among its members men of very varied tastes and ideals: zealous churchmen and freethinking antiquarians; moderate Anglicans like Liddon and Oakley, votaries of the Eastern Church like Neale and Palmer; Street and Woodward the architects, Dyce the painter. Long afternoons were passed on the upper river and among the ruins (more extensive then) of Godstow, or in expeditions to old churches, ranging from Dorchester to Woodstock, or in the glades of the Wytham woods. Evenings of excited talk and reading slid into the long nights in which Morris poured forth the results in prose and verse of his newly-discovered creative power; and all the while, as the old ideals melted away before larger enthusiasms, the mistress art of architecture, with all else—music, painting, the whole range of forms and colours and sounds—swept up into its train, took a continually deeper and more dominating hold. So passed the spring and summer days of 1855, while Tennyson at Farringford was putting the last touches to "Maud," and the English cannon thundered before Sebastopol.
