of money his mighty arms had torn from the sun in the burning hours of work. Dolly was ill at home; sometimes in her room, sometimes downstairs; but ill, shaky and weak—ague they called it. There were dark circles round her eyes, her chin drooped to her breast; she wrapped herself in a shawl in all the heat. It was some time before even the necessity of working brought her forth again, and then her manner was hurried and furtive; she would begin trembling all of a minute, and her eyes filled quickly.
By degrees the autumn advanced, and the rooks followed the ploughman. Dolly gradually recovered something of her physical buoyancy; her former lightheartedness never returned. Sometimes an incident would cause a flash of the old gaiety, only for her to sink back into subdued quietness. The change was most noticeable in her eyes; soft and tender still, brown and velvety, there was a deep sadness in them—the longer she looked at you, the more it was visible. They seemed as if her spirit had suffered some great wrong; too great for redress, and that could only be borne in silence.
How beautiful are beautiful eyes! Not from one aspect only, as a picture is, where the light falls rightly on it—the painter's point of view—they vary to every and any aspect. The orb rolls to meet the changing circumstance, and is adjusted to all. But a little enquiry into the mechanism of the eyes will indicate how wondrously they are formed. Science has dispelled many illusions, broken many dreams; but here, in the investigation of the eye, it has added to our marvelling interest. The eye is still like the work of
