The Life of the Spider
special architectural rules, they both employ the same means as a protection against the cold.
As we see, the egg-bag of the Epeiræ, particularly that of the Banded Epeira, is an important and complex work. Various materials enter into its composition: white silk, red silk, brown silk; moreover, these materials are worked into dissimilar products: stout cloth, soft eiderdown, dainty satinette, porous felt. And all of this comes from the same workshop that weaves the hunting-net, warps the zigzag ribbon-band and casts an entangling shroud over the prey.
What a wonderful silk-factory it is! With a very simple and never-varying plant, consisting of the hind-legs and the spinnerets, it produces, by turns, rope-maker's, spinner's, weaver's, ribbon-maker's and fuller's work. How does the Spider direct an establishment of this kind? How does she obtain, at will, skeins of diverse hues and grades? How does she turn them out, first in this fashion, then in that? I see the results, but I do not understand the machinery and still less the process. It beats me altogether.
The Spider also sometimes loses her head
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