The Life of the Spider
The egg-pocket disappears, drowned in this exquisite wadding.
The balloon-shape is already outlined; the top of the work tapers to a neck. The Spider, moving up and down, tacking first to one side and then to the other, from the very first spray marks out the graceful form as accurately as though she carried a compass in her abdomen.
Then, once again, with the same suddenness, the material changes. The white silk reappears, wrought into thread. This is the moment to weave the outer wrapper. Because of the thickness of the stuff and the density of its texture, this operation is the longest of the series.
First, a few threads are flung out, hither and thither, to keep the layer of wadding in position. The Epeira takes special pains with the edge of the neck, where she fashions an indented border, the angles of which, prolonged with cords or lines, form the main support of the building. The spinnerets never touch this part without giving it, each time, until the end of the work, a certain added solidity, necessary to secure the stability of the balloon. The suspensory indentations soon
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