Page:The Light That Failed (1891).pdf/71

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IV
THE LIGHT THAT FAILED
57

seemed to do much except fudge his reports from the Nilghai. See?'

'Dear old Nilghai! He's in town, fatter than ever. He ought to be up here this evening. I see the comparison perfectly. You should have kept clear of all that man-millinery. Serves you right; and I hope it will unsettle your mind.'

'It won't. It has taught me what Art—holy, sacred Art—means.'

'You've learnt something while I've been away. What is Art?'

'Give 'em what they know, and when you've done it once do it again.' Dick dragged forward a canvas laid face to the wall. 'Here's a sample of real Art. It's going to be a facsimile reproduction for a weekly. I called it "His Last Shot." It's worked up from the little water-colour I made outside El Maghrib. Well, I lured my model, a beautiful rifleman, up here with drink; I drored him, and I redrored him, and I tredrored him, and I made him a flushed, dishevelled, bedevilled scallawag, with his helmet at the back of his head, and the living fear of death in his eye, and the blood oozing out of a cut over his ankle-bone. He wasn't pretty, but he was all soldier and very much man.'

'Once more, modest child!'

Dick laughed. 'Well, it's only to you I'm