minds, and dread their Creator as the avenger of their transgression. At last they seek shelter in his mercy, soften to repentance, and melt in supplication. Both before and after the Fall, the superiority of Adam is diligently sustained.
Of the probable and the marvellous, two parts of a vulgar epick poem, which immerge the critick in deep consideration, the Paradise Lost requires little to be said. It contains the history of a miracle of Creation and Redemption; it displays the power and the mercy of the Supreme Being; the probable therefore is marvellous, and the marvellous is probable. The substance of the narrative is truth; and, as truth allows no choice, it is, like necessity, superior to rule. To the accidental or adventitious parts, as to every thing human, some slight exceptions may be made. But the main fabrick is immovably supported.
It is justly remarked by Addison, that this poem has, by the nature of its subject, the advantage adove all others, that it is universally and perpetually interesting. All mankind will, through all ages, bear the same relation to Adam and to Eve, and
