the whole series of his dramatic performances; it will be fit, however, to enumerate them, and to take especial notice of those that are distinguished by any peculiarity, intrinsick or concomitant; for the composition and fate of eight-and-twenty dramas include too much of a poetical life to be omitted.
In 1664 he published the Rival Ladies, which he dedicated to the Earl of Orrery, a man of high reputation both as a writer and a statesman. In this play he made his essay of dramatick rhyme, which he defends in his dedication, with sufficient certainty of a favourable hearing; for Orrery was himself a writer of rhyming tragedies.
He then joined with Sir Robert Howard in the Indian Queen, a tragedy in rhyme. The parts which either of them wrote are not distinguished.
The Indian Emperor was published in 1667. It is a tragedy in rhyme, intended for a sequel to Howard's Indian Queen. Of this connection notice was given to the audience by printed bills, distributed at the door; an expedient supposed to be ridiculed in the Rehearsal, when Bayes tells how ma-
