lished, there was time enough for enmity to grow up between authors, who, writing both for the theatre, were naturally rivals.
He was now so much distinguished, that in 1668 he succeeded Sir William Davenant as poet laureat. The salary of the laureat had been raised in favour of Jonson, by Charles the First, from an hundred marks to one hundred pounds a year, and a tierce of wine; a revenue in those days not inadequate to the conveniences of life.
The same year he published his Essay on Dramatick Poetry, an elegant and instructive dialogue, in which we are told by Prior, that the principal character is meant to represent the duke of Dorset. This work seems to have given Addison a model for his Dialogues upon Medals.
Secret Love, or the Maiden Queen (1668), is a tragi-comedy. In the preface he discusses a curious question, whether a poet can judge well of his own productions? and determines very justly, that, of the plan and disposition, and all that can be reduced to principles of science, the author may depend upon his own opinion; but that, in those parts where fancy predominates, self-
