but, in my opinion, Gray has the advantage in dignity, variety, and originality of sentiment. He observes, that the story of the Hermit is in More's Dialogues and Howell's Letters, and supposes it to have been originally Arabian.
Goldsmith has not taken any notice of the Elegy to the old Beauty, which is perhaps the meanest; nor of the Allegory on Man, the happiest of Parnell's performances. The hint of the Hymn to Contentment I suspect to have been borrowed from Cleiveland.
The general character of Parnell is not great extent of comprehension, or fertility of mind. Of the little that appears, still less is his own. His praise must be derived from the easy sweetness of his diction: in his verses there is more happiness than pains; he is spritely without effort, and always delights, though he never ravishes; every thing is proper, yet every thing seems casual. If there is some appearance of elaboration in the Hermit, the narrative, as it is less airy, is less pleasing. Of his other compositions it is impossible to say whether they are the productions of Na-
