merriment with decency; an effect which they can never wholly lose, while they continue to be among the first books by which both sexes are initiated in the elegances of knowledge.
The Tatler and Spectator adjusted, like Casa, the unsettled practice of daily intercourse by propriety and politeness; and, like La Bruyere, exhibited the Characters and Manners of the Age. The personages introduced in these papers were not merely ideal; they were then known, and conspicuous in various stations. Of the Tatler this is told by Steele in his last paper; and of the Spectator by Budgell in his preface to Theophrastus, a book which Addison has recommended, and which he was suspected to have revised, if he did not write it. Of those portraits, which may be supposed to be sometimes embellished, and sometimes aggravated, the originals are now partly known, and partly forgotten.
But to say that they united the plans of two or three eminent writers, is to give them but a small part of their due praise; they superadded literature and criticism, and sometimes towered far above their
