Now, I appeal to the reader, if I have not been as good as my word. Did I not tell him, that I would lay before him a very wise scene?
But now let us lay before the reader that part of the scenery of the Fourth Act, which may shew the absurdities which the author has run into, through the indiscreet observance of the Unity of Place. I do not remember that Aristotle has said any thing expressly concerning the Unity of Place. 'Tis true, implicitly he has said enough in the rules which he has laid down for the Chorus. For, by making the Chorus an essential part of Tragedy, and by bringing it on the stage immediately after the opening of the scene, and retaining it there till the very catastrophe, he has so determined and fixed the place of action, that it was impossible for an author on the Grecian stage to break through that unity. I am of opinion, that if a modern tragick poet can preserve the unity of place, without destroying the probability of the incidents, 'tis always best for him to do it; because, by the pre-
