the Pleasures of Imagination, in which he founds art on the base of nature, and draws the principles of invention from dis. positions inherent in the mind of man with skill and elegance, such as his contemners will not easily attain.
As a describer of life and manners, he must be allowed to stand perhaps the first of the first rank. His humour, which, as Steele observes, is peculiar to himself, is so happily diffused as to give the grace of novelty to domestick scenes and daily occurrences. He never "outsteps the modesty of nature," nor raises merriment or wonder by the violation of truth. His figures neither divert by distortion, nor amaze by aggravation. He copies life with so much-fidelity, that he can be hardly said to invent; yet his exhibitions have an air so much original, that it is difficult to suppose them not merely the product of imagination.
As a teacher of wisdom, he may be confidently followed. His religion has nothing in it enthusiastick or superstitious; he appears neither weakly credulous, nor wantonly sceptical; his morality is neither dan-
