fered nothing, he should not have complained.
During the short reign of king James, he had written nothing for the stage[1], being, in his opinion, more profitably employed in controversy and flattery. Of praise he might perhaps have been less lavish without inconvenience, for James was never said to have much regard for poetry: he was to be flattered only by adopting his religion.
Times were now changed: Dryden was no longer the court-poet, and was to look back for support to his former trade; and having waited for about two years, either considering himself as discountenanced by the publick, or perhaps expecting a second Revolution, he produced Don Sebastian in 1690; and in the next four years four dramas more.
In 1693 appeared a new version of Juvenal and Persius. Of Juvenal he translated the first, third, sixth, tenth, and sixteenth satires; and of Persius the whole work. On this occasion he introduced his two sons to the publick, as nurselings of
- ↑ Albion and Albianus must however be excepted.R.
