is due to the testimony of Dennis, who calls it a "philosophical Poem, which has equalled that of Lucretius in the beauty of its versification, and infinitely surpassed it in the solidity and strength of its reasoning."
Why an author surpasses himself, it is natural to inquire. I have heard from Mr. Draper, an eminent bookseller, an account received by him from Ambrose Philips, "That Blackmore, as he proceeded in this poem, laid his manuscript from time to time before a club of wits with whom he associated; and that every man contributed, as he could, either improvement or correction; so that," said Philips, "there are perhaps no where in the book, thirty lines together that now stand as they were originally written."
The relation of Philips, I suppose, was true; but when all reasonable, all credible allowance is made for this friendly revision, the author will still retain an ample dividend of praise; for to him must always be assigned the plan of the work, the distribution of its parts, the choice of topicks, the train of argument, and, what is yet more, the general predominance of philosophical judgement and poetical spirit. Correction seldom effects more than the sup-
