This is true of many paragraphs; yet if I had undertaken to exemplify Pope's felicity of composition before a rigid critick, I should not select the "Essay on Man;" for it contains more lines unsuccessfully laboured, more harshness of diction, more thoughts imperfectly expressed, more levity without elegance, and more heaviness without strength, than will easily be found in all his other works.
The "Characters of Men and Women" are the product of diligent speculation upon human life; much labour has been bestowed upon them, and Pope very seldom laboured in vain. That his excellence may be properly estimated, I recommend a comparison of his "Characters of Women" with Boileau's Satire; it will then be seen with how much more perspicacity female nature is investigated, and female excellence selected; and he surely is no mean writer to whom Boileau shall be found inferiour. The "Characters of Men," however, are written with more, if not with deeper, thought, and exhibit many passages exquisitely beautiful. The "Gem and the Flower" will not easily be equalled. In the women's part are some defects; the character
