with Arcadian scenes, probably found many readers, and might have long passed as a pleasing amusement, had they not been unhappily too much commended.
The rustic poems of Theocritus were so highly valued by the Greeks and Romans, that they attracted the imitation of Virgil, whose Eclogues seem to have been considered as precluding all attempts of the same kind; for no shepherds were taught to sing by any succeeding poet, till Nemesian and Calphurnius ventured their feeble efforts in the lower age of Latin literature. At the revival of learning in Italy, it was soon discovered that a dialogue of imaginary swains might be composed with little difficulty; because the conversation of shepherds excludes profound or refined sentiment; and, for images and descriptions, Satyrs and Fauns, and Naiads and Dryads, were always within call; and woods and meadows, and hills and rivers, supplied variety of matter, which, having a natural power to sooth the mind, did not quickly cloy it.
Petrarch entertained the learned men of his age with the novelty of modern Pastorals in Latin. Being not ignorant of Greek, and
