Sylvan Dramas; and all nations of Europe filled volumes with Thrys, and Damon, and Thestylis and Phyllis.
Philips thinks it "somewhat strange to conceive how, in an age so addicted to the Muses, Pastoral Poetry never comes to be so much as thought upon." His wonder seems very unseasonable; there had never, from the time of Spenser, wanted writers to talk occasionally of Arcadia and Strephon; and half the book, in which he first tried his powers, consists of dialogues on queen Mary's death, between Tityrus and Corydon, or Mopsus and Menalcas. A series or book of Pastorals, however, I know not that any one had then lately published.
Not long afterwards Pope made the first display of his powers in four Pastorals, written in a very different form. Philips had taken Spenser, and Pope took Virgil for his pattern. Philips endeavoured to be natural, Pope laboured to be elegant.
Philips was now favoured by Addison, and by. Addison's companions, who were very willing to push him into reputation. The "Guardian" gave an account of Pastoral, partly critical, and partly historical; in which,
