should you set them down for cruel and for savage.
Of this report, inhuman to the surviving son, if it be true, in proportion as the character of Lorenzo is diabolical, where are we to find the proof? Perhaps it is clear from the poems.
From the first line to the last of the "Night Thoughts," no one expression can be discovered which betrays any thing like the father. In the Second "Night" I find an expression which betrays something else; that Lorenzo was his friend; one, it is possible, of his former companions; one of the Duke of Wharton's set. The Poet styles him "gay Friend," an appellation not very natural from a pious incensed father to such a being as he paints Lorenzo, and that being his son.
But let us see how he has sketched this dreadful portrait, from the sight of some of whose features the artist himself must have turned away with horror. A subject more shocking, if his only child really sat to him, than the crucifixion of Michael Angelo; upon the horrid story told of which, Young composed a short Poem of fourteen lines in the
