his subject, had forgotten her and become technical); while Troy, his map spread on the top of a shot-riddled wall, followed every word and gesture with eyes that absorbed at the same time all the details of the immortal landscape.
The Marne—this was the actual setting of the battle of the Marne! This happy temperate landscape, with its sheltering woods, its friendly fields and downs flowing away to a mild sky, had looked on at the most awful conflict in history. Scenes of anguish and heroism that ought to have had some Titanic background of cliff and chasm had unrolled themselves among harmless fields, and along wood-roads where wild strawberries grew and children cut hazel-switches to drive home their geese. A name of glory and woe was attached to every copse and hollow, and to each grey steeple above the village roofs. . . .
