with Christianity. It was otherwise with certain of the remaining qualities of a knight. According to Christian teaching, pride was the deadliest of sins. So haughtiness, boasting, and vain-glory were to be held vices by the Christian knight. He should show a humble demeanour, save toward the mortal enemies of God; and far from boasting, he should rather depreciate himself and his exploits, though never lowering the standard of his purpose to achieve. Humility entered knighthood's ideal from Christianity; and so perhaps did courtesy, its kin, a virtue which was not among the earliest to enter knighthood's ideal, and yet reached universal recognition.
Christianity also meant active charity, beneficence, and love of neighbour. These are virtues hard to import into a state of war. Fighting means harm-doing to an enemy; and only indirectly makes for some one's good. Let there be some vindication of good in the fighting of a Christian knight: he shall be quick to right the wrong, succour distress, and quickest to bear help where no reward can come. Since knighthood's ideals took form in crusading times, the slaughter of the Paynim became the supreme act of knightly warfare.
If such elements of the knightly ideal were of Christian origin, others still were even more closely part of mediaeval Christianity. First of these was faith, orthodox faith, heresy-uprooting, infidel-destroying, fides in the full Church sense. Without faith's sacramental credentials—baptism, participation in the mass—no one could be a knight: and heresy degrades the recreant even before the scullion's cleaver hacks off his spurs.
From faith knighthood advances to obedience to the Church, a vow expressly made by every knight on taking the Cross, and also incorporated in the Constitutions of the crusading Orders of Templars and Hospitallers. But does the knight pass on from obedience to chastity? This virtue might or might not enter knighthood's ideal. It scarcely could exist with courtly or chivalric love;[1] a and, in fact,
- ↑ Courtly, chivalric, or romantic, love as an element of knightly excellence is so inseverably connected with its romantic literature that I have kept it for the next chapter.
