Page:The Mediaeval Mind Vol 2.djvu/109

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97
SYMBOLIC WORKS OF MEN
CHAP XXIX

other tropes of things and dreams of truth, this royal art set forth.

Here, standing in the midst of her Council, Nature, with bowed head, spoke her solemn words: "Painfully I remake what my hand's solicitude has wrought. But the hand's penitence does not wipe out the flaws. The shortcomings of our works must be repaired by some perfect model, some man divine, not smelling of the earth and earthly, but whose mind shall hold to heaven while his body walks the earth. Let him be the mirror in which we may see what our faith, our potency, and virtue ought to be. As it is, our shame is over all the earth."

When the Council had approved these words, Prudence arose in all her beauty.[1] She discoursed upon man's dual nature, spirit and body. Nature and her helpers may be the artificers of his mortal body, but the soul demands its heavenly Artificer, and laughs at our rude arts. God's wisdom alone can create the soul, as Prudence shows by an exposition of its qualities.

Now Reason raised his reverend form, holding his triple glass in which appear the causes and effects and qualities of things. He humbly disclaimed the power to instruct Minerva,[2] and applauded the plan by which a new Lucifer should sojourn in the world. May he unite all the gifts which they can bestow, and be their champion against the Vices. Now let their suppliant vows be sped to Him who alone can create the divine mind. A legate should be despatched above, bearing their request. For this office none is so fit as Prudence, to whom the secrets of Heaven are known, and whose energy and wisdom will surmount the difficulties of the way.

Prudence at first refuses; but Concordia rises, the inspirer of chaste loves, she who knit the souls of David and Jonathan, Pirithous and Theseus, Nisus and Euryalus, Orestes and Pylades. Persuasively she speaks, and points out all the ills the world had suffered by disobedience to her behests. Prudence is won over to the task, and now wills

  1. i. cap. vi. Her garb and attributes are elaborately told. In the latter part of the poem she is usually called Phronesis.
  2. A favourite commonplace; Heloise uses it.