(196)
course, but ill calculated to please him. She spoke no longer to insinuate, but command: he found himself unable to cope with her in argument, and was unwillingly obliged to confess the superiority of her judgment. Every moment convinced him of the astonishing powers of her mind; but what she gained in the opinion of the man, she lost with interest in the affection of the lover. He regretted Rosario, the fond, the gentle, and submissive; he grieved that Matilda preferred the virtues of his sex to those of her own; and when he thought of her expressions respecting the devoted nun, he could not help blaming them as cruel and unfeminine. Pity is a sentiment so natural, so appropriate to the female character, that it is scarcely a merit for a woman to possess it, but to be without it is a grievous crime. Ambrosio could not easily forgive his mistress for being deficient in this amiable quality. However, though he blamed her insensibility, he felt the truth of her observations; and though he pitied sin-cerely
