but from what insight into human nature my profession has given me, I think that my idea is a correct one."
All present agreed with Mr. Calton's idea, as it really did seem the most natural thing that would be done by a man desirous of escaping detection.
"Tell you what," said Felix to Brian, as they were on their way to the drawing room, "if the fellow that committed the crime is found out, by gad, he ought to get Calton to defend him."
CHAPTER VIII.
BRIAN TAKES A WALK AND A DRIVE.
When the gentlemen entered the drawing-room a young lady was engaged in playing one of those detestable pieces of music called Morceau de Salon, in which an unoffending air is taken and variations embroidered on it till it becomes a perfect agony to distinguish the tune amid the perpetual rattle of quavers and demi-semi-quavers. The air in this case was "Over the Garden Wall," with variations by Signor Thumpanini, and the young lady who played it was a pupil of that celebrated Italian musician. When the male portion of the guests entered the air was being played in the bass with a great deal of power (that is, the loud pedal was down), and with a perpetual rattle of treble notes trying with all their shrill power to drown the tune.
"Gad! it's getting over the garden wall in a hailstorm," said Felix, as he strolled over to the piano, for he saw that the musician was Dora Featherweight, an heiress to whom he was then paying attention, in the hopes that she might be induced to take the name of Rolleston, together with the present owner of the same. So, when the fair Dora had paralyzed her audience with one final bang and rattle, as if the gentleman going over the garden wall had tumbled into the cucumber-frame, Felix was loud in his expressions of delight.
"Such power, you know, Miss Featherweight," he said, sinking into a chair, and mentally wondering if any of the piano strings had given way at that last crash. "You put your heart into it—and all your muscle, too, by gad," he added mentally.
