later period was done, in the midst of the animated but regular movements of a constitutional monarchy. These precocious political reunions were overthrown by the same impetuous torrent which carried away the throne of the 10th of August.
The vast influence of Madame Roland's salon is now a matter of history. This remarkable woman, clever and ambitious, ruled over the men of her party as if die had been their chief. She was the first who endeavoured to organise the bourgeoisie of France of '89. She was in the possession of more graces and amiability than is generally supposed, but her projects for the future, perchance reasonable, but certainly premature, were quickly upset by catastrophes. There were no more salons when the scaffold became permanent!
Women, however, began to regain power the moment the days of Terror had gone by. The beauties of the epoch, among whom Madame Tallien occupies historically the first rank, assured their empire by the pity and humanity shown to the victims. The goodness of their hearts, the cynical ex-Director of the Opera would make us believe, sympathising with all forms of suffering, les entraînait même à de faciles tendresses!
Under the Directory, Madame de Staël saw, on her return from Switzerland, the leaders of all shades of the old party reassembled in her salons. Her doors were only closed to the Jacobins. The author of "Corinne" was indebted for this great influence to the remarkable qualities of her heart and intellect, to an indefatigable activity, and to a certain prodigality of herself and of her sentiments. Those even whom she pleased least capitulated in the long run. She succeeded in bringing within the sphere of her attractions every person of distinction or renown. But these reunions, where Madame de Staël pretended to reign and govern, were deemed to be incompatible with the new order of things. Exiled to Switzerland, she regretted there for a long time her salon in Paris, or, as she used to call it, her rivulet of the Rue du Bac.
The Consulat saw several salons of more or less importance open their doors, and allowed them to exist. Madame de Montesson, widow of a Duke of Orleans, whose wife she had been, as Madame de Maintenon had been the wife of Louis XIV., assembled at her soirées persons attached to different parties, and sought to effect a fusion between different régimes. Madame de Montesson, friend of the Beauharnais, showed herself devoted to the Bonapartes, and she made converts among the emigrants, and even among the great names of the old nobility, to the new order of things.
At this epoch, the graces, the charms, and the intelligence of Madame Récamier, attracted within her circle a polished and amiable society, but more of a literary than of a political cast.
Under the Empire, the women whose society was most courted, who took the first places at the imperial court, and who graced the brilliant assemblies of the staff on days of festivals, revelled in that great and rich beauty, which inspires neither elegies, nor madrigals, nor sonnets, but which moves the senses before either heart or intellect know anything about it.
Madame la Duchesse de Bassano, Madame la Comtesse Duchâtel, Madame Regnault de Saint-Jean-d'Angely, Madame la Duchesse de Vicence, Madame Visconti; and, in second rank, many a préfet's wife, give us an idea of that beauty which is compatible with elegance and grace, but
