distinctive features of fashionable ladies, some of whom attracted even the attention of the young heir to the throne under the Monarchy of July, are well known. It would be sufficient to quote a few names, but discretion forbids.
Without the circle of the court of King Louis Philippe it is impossible to seize upon and describe the numerous forms which vanity assumed in the ever-renewing confusion and agitation of the day. It was the great era for dressing for effect and for coquetry without disguise.
In 1831, the wealthy bourgeoisie made the Opera their home; they took the place there of the great families and the great names of the Restoration.
More than one young woman established her reputation as a lady of fashion in a box of the Royal Academy of Music. There are some beauties with whom the brilliancy of the lights and the staring of the crowd impart additional animation to their countenances and enhance their attractions.
Who has not had the indiscretion to allow his lorgnette to rest upon a charming lady full of smiles, with black eyes and eyebrows, whose neck and shoulders presented the most exquisite outlines and the most graceful movements? Her expressive physiognomy depicted almost instantaneously the lively emotions which she received from the theatre, and the pleasure which the homage by which she was surrounded gave to her. The most wealthy and distinguished young men, as well as many old men, proverbial for their gallantry, rivalled with one another in the vigour or their assaults upon her youth and heart, in despite of the foot-lights and a husband. Nor was she wanting in spirit to repel these assiduities. "Take care," she said to a septuagenary one day, who was harassing her with his attentions, "je vais vous céder."
This young lady, whose name was in every one's mouth, and whose position placed her alongside of the court, was to be seen at the most fashionable balls as well as in the most prominent and recherché seat at the race-course. Her absence &om any one of these rendezvous of opulence, luxury, and frivolity, would have been felt by all. She eclipsed all competitors wherever she showed herself and according to the Latin historian, "eo magis præfulgebat quod non videbatur."
During this régime of eighteen years' duration, the romances of Madame Sand and of Balzac, and the poetry of Alfred de Musset, imparted a peculiar character to young women. Boldness of conception, cavalier-like manners, a sensibility susceptible of deep emotions, but only for positive things, or where their interests were concerned, constituted the distinctive features of the more or less political and more or less fashionable women of the time of Louis Philippe.
Some, of good birth, charming manners, and high spirits, indulged in eccentricities of conduct not altogether feminine. One of these, who was indefatigable in field sports, a first-rate rider, ready to engage any Madame Patin who should cross her path with sword or pistol, who smoked egregiously, and never cared to control the fantasies of either her heart or her head, had still the power to attract round her, whether at the theatre, at the steeple-chase, or in the salons, serious and important personages, as well as "the fine flower of our golden youth." Free-thinker, if you so will it, untameable in character, taking life boldly,
