Thus a sufficient demonstration has been made that Gilpin's
achievement was not merely a comet-flare across the dramatic
horizon but a trustworthy sign of the histrionic gift of his
race.
The past and present of Negro drama lies revealed before us. It is seen that the popular musical comedies with their unfortunate minstrel inheritance have been responsible for a fateful misrepresentation of Negro life. However, the efforts toward the development of a sincere and artistic drama have not been altogether in vain. O'Neill and Torrence have shown that the ambitious dramatist has a rich and virgin El Dorado in the racial experiences of black folk. As the spirituals have risen from the folk-life of the race, so too will there develop out of the same treasure-trove a worthy contribution to a native American drama. The annual prizes now being offered through the vision of Charles S. Johnson of The Opportunity magazine and of W. E. B. DuBois and Jessie Fauset of The Crisis magazine for original racial expression in the various literary forms are acting as a splendid stimulus to Negro writers to begin the adequate expression of their race life.
Our ideal is a national Negro Theater where the Negro playwright, musician, actor, dancer, and artist in concert shall fashion a drama that will merit the respect and admiration of America. Such an institution must come from the Negro himself, as he alone can truly express the soul of his people. The race must surrender that childish self-consciousness that refuses to face the facts of its own life in the arts but prefers the blandishments of flatterers, who render all efforts at true artistic expression a laughing-stock by adorning their characters with the gaudy gowns of cheap romance. However disagreeable the fact may be in some quarters, the only avenue of genuine achievement in American drama for the Negro lies in the development of the rich veins of folk-tradition of the past and in the portrayal of the authentic life of the Negro masses of to-day. The older leadership still clings to the false gods of servile reflection of the more or less unfamiliar life of an alien race. The “New Negro," still few in number, places his faith
