Page:The Novels and Other Works of Lyof N. Tolstoï-v19.djvu/19

From Wikisource
Jump to navigation Jump to search
This page has been validated.
Contents
ix
  1. Chapter II
  2. Page
  3. Docs art compensate for so much evil?—What is art?—Confusion of opinions—Is it "that which produces beauty"?—The word "beauty" in Russian—Chaos in esthetics
    ................................................................................................................................................................................................................................................................................................................................................................................................
    351
  4. Chapter III
  5. Summary of various aesthetic theories and definitions, from Baumgarten to to-day
    ................................................................................................................................................................................................................................................................................................................................................................................................
    360
  6. Chapter IV
  7. Definitions of art founded on beauty—Taste not definable—A clear definition needed to enable us to recognize works of art
    ................................................................................................................................................................................................................................................................................................................................................................................................
    376
  8. Chapter V
  9. Definitions not founded on beauty—Tolstoi's definition—The extent and necessity of art—How people in the past have distinguished good from bad in art
    ................................................................................................................................................................................................................................................................................................................................................................................................
    383
  10. Chapter VI
  11. How art for pleasure has come into esteem—Religions indicate what is considered good and bad—Church Christianity—The Renaissance—Skepticism of the upper classes—They confound beauty with goodness
    ................................................................................................................................................................................................................................................................................................................................................................................................
    389
  12. Chapter VII
  13. An aesthetic theory framed to suit this view of life
    ................................................................................................................................................................................................................................................................................................................................................................................................
    396
  14. Chapter VIII
  15. Who have adopted it?—Real art needful for all men—Our art too expensive, too unintelligible, and too harmful for the masses—The theory of "the elect" in art
    ................................................................................................................................................................................................................................................................................................................................................................................................
    401
  16. Chapter IX
  17. Perversion of our art—It has lost its natural subject-matter—Has no flow of fresh feeling—Transmits chiefly three base emotions
    ................................................................................................................................................................................................................................................................................................................................................................................................
    406