PREFACE
surface-breathing of Paris, the shortest of rhythms for so huge an organism.
I shall not tell whether I did there bring my book to a close—and indeed I shrink, for myself, from putting the question to the test of memory. I follow it so far, the old urgent ingenious business, and then I lose sight of it: from which I infer—all exact recovery of the matter failing—that I did not in the event drag over the Channel a lengthening chain; which would have been detestable. I reduce to the absurd perhaps, however, by that small subjective issue, any undue measure of the interest of this insistent recovery of what I have called attendant facts. There always has been, for the valid work of art, a history—though mainly inviting, doubtless, but to the curious critic, for whom such things grow up and are formed very much in the manner of attaching young lives and characters, those conspicuous cases of happy development as to which evidence and anecdote are always in order. The development indeed must be certain to have been happy, the life sincere, the character fine: the work of art, to create or repay critical curiosity, must in short have been very "valid" indeed. Yet there is on the other hand no mathematical measure of that importance—it may be a matter of widely-varying appreciation; and I am willing to grant, assuredly, that this interest, in a given relation, will nowhere so effectually kindle as on the artist's own part. And I am afraid that after all even his best excuse for it must remain the highly personal plea—the joy of living over, as a chapter of experience, the particular intellectual adventure. Here lurks an immense homage to the general privilege of the artist, to that constructive, that creative passion—portentous words, but they are convenient—the exercise of which finds so many an occasion for appearing to him the highest of human fortunes, the rarest boon of the gods. He values it, all sublimely and perhaps a little fatuously, for itself as the great extension, great beyond all others, of experience and of consciousness; with the toil and trouble a mere sun-cast shadow that falls, shifts and vanishes, the result
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